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The speaker explains the concept of 'cinematic parents' and 'grandparents' for young filmmakers, likening it to how children learn from their parents. He describes how directors like Stanley Kubrick learned from Fritz Lang, creating a lineage of cinematic grammar and vernacular that influences new generations.
Joe Rogan and Roger Avary discuss a spec ops friend's controversial take that firemen are over-credited and overpaid, contrasting their perceived heroism with the life-threatening, unacknowledged work of special operations personnel.
The speaker recounts how he and his friends, despite having easy access to cocaine in the 80s, collectively recognized the dangers and decided to pull back, learning from others who let it 'get the best of them,' showcasing a powerful moment of self-awareness and control.
Roger Avary explains the fundamental business flaw that led to the demise of local video stores: the unsustainable need to constantly acquire new inventory and the resulting shelf space issues, making it impossible to compete with larger chains.
A thought-provoking discussion on the nature of evil, arguing that even if physical demons aren't real, 'demonic behavior' is undeniably documented in mass murder and atrocities, challenging the secular reluctance to acknowledge such forces and the inherent knowledge of good and evil within us.
The speaker describes his unique experience of feeling like a 'reporter deep undercover' when he first achieved success, rather than experiencing traditional imposter syndrome. He felt like he was observing the industry from an outsider's perspective, which he believes gave him a unique advantage and allowed him to take creative risks in his films.
From a filmmaker's perspective, the speaker advises giving every movie a fair chance, acknowledging the immense struggle to bring a vision to the screen. He explains how their podcast helps create 'new classics' by providing the right context for appreciating older, often imperfect films.
The speaker highlights the vast and overwhelming archive of films available to modern fans, emphasizing the unique experience of watching older cinema. He recounts a powerful screening of the silent film 'Beau Geste' at their micro-cinema, showcasing the timeless emotional impact of classic storytelling.
The discussion delves into the controversial aspects of the January 6th Capitol riot, with the speaker highlighting concerns about due process for those arrested, particularly a friend held for 'hundreds of days' without trial. They challenge the official narrative by mentioning footage of individuals being waved in by police and the absence of guns among the 'insurrectionists,' suggesting a complex situation potentially involving undercover agents and questioning the reported cause of death for a Capitol police officer.
Drawing from 'Apocalypse Now,' the speaker explores Colonel Kurtz's chilling perspective on power, where 'men doing a job' can commit horrific acts. This leads to a discussion on the inherent suspicion of power and the idea that ultimately, 'strong men hold civilizations together.'
Roger Avary recounts a story from a former operator about an untraceable method of assassination involving injecting coffee directly into the bloodstream to induce a heart attack, leaving only caffeine to be found during an autopsy.
An executive-turned-director realized the profound difference between himself and a 'real director' when observing how another director answered a question about his movie. The real director could 'see the entire picture' in his head, down to minute details like the color of a flowerpot, demonstrating a deep, internal visualization of the film that the executive, despite working with the written material, lacked.
Roger Avary describes his experience writing in jail as profoundly intense and surprisingly productive. Stripped of all distractions and forced to confront his regrets, he found himself in a 'monastic' environment where, despite the harsh conditions, he was more driven to write than ever before. This period transformed him into a 'scribe,' using writing as an escape and a means of processing his experience.
Roger Avary openly shares the deeply personal and tragic story of his incarceration for a DUI-related incident that resulted in the death of one of his passengers. He explains the profound impact this event has had on his life, leading to a complete abstinence from alcohol and a reluctance to even be seen holding a drink.
Roger Avary details the extreme conditions of his solitary confinement, where he was deprived of windows, natural light, and sound, leading to a profound sense of disorientation and eventual mental distress. He explains that his writings were considered a 'security threat' and frequently confiscated, highlighting the oppressive environment designed to break prisoners.
Roger Avary shares the unbelievable true story of his trip to Paris where a friend introduced him to a dark underworld of drug use and crime, which directly inspired the characters and themes of his film 'Killing Zoe.'
Roger Avary shares an incredible story about legendary makeup effects artist Tom Savini, who, despite being unpaid, created stunning burn makeup for 'Killing Zoe' using only Vaseline, paint, and tissue paper, showcasing his unparalleled artistry.
A detailed analysis of Fritz Lang's 'M,' highlighting its revolutionary use of sound in cinema. The speaker explains how Lang, in his first sound movie, used sound to create tension and narrative, juxtaposing it with empty frames to profound emotional effect.
The hosts enthusiastically praise comedian Tim Dillon's unique talent for solo ranting, describing him as a 'singleton operator' who has developed a 'crazy muscle' for brilliant, unscripted commentary by performing to just his producer. They highlight his distinct and effective style within the podcasting and comedy landscape.
The speaker distinguishes between typical serialized TV, which can feel like a forgettable soap opera (e.g., Yellowstone), and a truly cinematic season that builds to an impactful, movie-like emotional climax. He cites the first season of Homeland, particularly the tension of the suicide vest scene and the daughter's phone call, as a prime example of television delivering a compelling story with a lasting payoff, rather than just ongoing drama.
Joe Rogan recounts the story of building The Mothership comedy club in Austin. He explains how the pandemic led many world-class comedians to move to Austin, creating a unique opportunity to establish a hub where new comics could get stage time, receive advice, and be surrounded by top talent in a supportive environment, fostering growth and a sense of possibility.
The speaker shares a revealing anecdote from Paul Verhoeven's producers about how the movie 'Showgirls' was primarily made under the influence of cocaine, linking it to the wild film culture of the 80s.
The discussion delves into the long journey of becoming a successful comedian, highlighting that it takes approximately ten years to truly master the craft and become a headliner capable of performing an hour-long set and repeatedly creating new material. It underscores the patience and persistence required to build a reputation and draw an audience.
Exploring the philosophy of John Milius (Apocalypse Now, Conan the Barbarian), the discussion delves into figures like Genghis Khan, acknowledging both their horrific atrocities and their contributions to civilization. It highlights the delicate balance between force, strength, and compassion required to maintain order and prevent societies from falling apart.
The speaker argues that comedy, unlike some other art forms like novel writing, cannot thrive in isolation. To become a great comedian, one must be immersed in a community of other practitioners, emphasizing the necessity of being around people who are actively doing it to grow and succeed.
The speaker reflects on how personal growth and life experiences can drastically alter one's appreciation for films, using 'Blade Runner' as an example of a movie he initially 'hated' but later came to love, recognizing the shift from being an 'angry young guy' to being 'humbled by life.'
The speaker expresses relatable frustration with online film criticism and cancel culture, sharing how merely stating a preference for 'Joker 2' led to a barrage of negative, personal attacks, highlighting the lack of reasonable discourse on social media.
The speaker emphasizes that realizing success is possible often comes from being around people who are actively achieving it. He explains how being at The Comedy Store, surrounded by comedians, provides invaluable exposure, connections, and opportunities, illustrating how a supportive community can help individuals get their start.
The speaker warns against the danger of getting 'comfortable' in a job that is 'close enough' to one's passion, as it can be a sedative that prevents true pursuit of goals. He shares an anecdote about a bartender at The Comedy Store who, despite being surrounded by top comedians, was held back by the comfort of his job and good money, illustrating how this 'velvet curtain' can obscure one's true aspirations.
The speaker reveals a key Hollywood dynamic: 'he who has the strongest point of view in the room wins.' He explains that executives often seek consensus, lacking a singular strong vision, while a 'maverick artist' with an unyielding vision is refreshing and even scary to them. They hire such artists for their unique perspective but then try to 'normalize' them, making it crucial for the artist to remain true to their original vision.
Roger Avary recounts receiving pivotal advice from John Langley (creator of Cops): 'Be a director. Don't work your way up the ladder.' Langley encouraged him to declare his desired role, rather than getting pigeonholed. Avary took the advice, quit his PA job, and spent years 'faking it until he made it' by simply telling people he was a director, demonstrating the power of self-definition and persistence in achieving one's career goals.
Roger Avary passionately explains his belief that 'the pen is the antenna to God,' advocating for writing by hand over typing. He argues that writing by hand fosters a deeper relationship with words, forces slower, more deliberate thought, and allows for more conceptual branching, contrasting it with typing, which he sees as an initial stage of rewriting that can bypass important creative steps.
Roger Avary vividly describes the routine, humiliating strip searches and cell raids in prison, where guards would confiscate his writings, viewing them as a 'security threat' for documenting the truth, including a guard watching Nazi propaganda. He shares his ingenious method of circumventing this censorship: writing his scripts as privileged letters to his attorney, who would then forward them to his daughter to be typed, allowing him to continue his creative work despite the extreme restrictions.
Roger Avary recounts his experience of secretly tweeting from a low-security prison facility during the early days of Twitter, sharing unfiltered observations about daily prison life. His unique dispatches caught the attention of film critic Roger Ebert, who 'put him on blast' by sharing his story widely, turning Avary's jail tweets into a global phenomenon and highlighting the unprecedented nature of his real-time reporting from behind bars.
The hosts delve into the January 6th Capitol attack, questioning the mainstream media's narrative and the potential involvement of government agents in inciting the crowd. They highlight perceived inconsistencies in attributing blame and the severe legal consequences faced by participants, suggesting a deeper, untold story about the events.
The speaker critiques the current state of film criticism, particularly in podcasting, arguing that many hosts lack genuine film knowledge, historical context, and often spread misinformation. He emphasizes that sincerity isn't enough; true critics must provide factual information, context from a film's original release, and a 'compelling reason' to listen, echoing Pauline Kael's philosophy for engaging analysis.
A vivid and humorous anecdote about a cocaine dealer named Tuttle who would casually drop large rocks of cocaine on the counter at their video store, offering it to the minimum wage kids, illustrating the prevalence of drug culture in the 80s.
A sharp observation on how the internet and social media have profoundly changed human minds, leading to increased tribalism, echo chambers, and antagonism, ultimately causing a loss of the crucial ability to disagree with others without taking it personally.
Roger Avary describes his intense self-reflection practice, the 'Quentin Test Fest,' where he'd stay up all night to face his shortcomings without excuses. This led to a pivotal decision to move to Hollywood and pursue his filmmaking dream, eventually leading to success.
The speaker recounts the personal struggle of selling his 'Beowulf' script for an exorbitant, made-up price to Robert Zemeckis, detailing the emotional turmoil of 'selling out' his original, low-budget vision for a massive Hollywood production, and the immediate aftermath of receiving a life-changing sum of money.
The speaker shares the profound personal transformation he experienced after incarceration, describing how he was 'asleep walking through life' until the accident. This moment details how the experience 'opened his third eye,' leading to an intense appreciation for simple existence and the beauty of everyday things.
A poignant anecdote from the speaker's time in jail, where he watched Quentin Tarantino win an Oscar for 'Django' on TV. This moment highlights the stark contrast between their situations and the humbling experience of hitting rock bottom while a friend reached the pinnacle of success, prompting a reevaluation of his filmmaking purpose.
The speaker presents a compelling theory that Stanley Kubrick's 'Eyes Wide Shut' was fundamentally altered after his death, with a missing narration and a suppressed 'pedocult' storyline. He cites script analysis and an anecdote of Kubrick yelling at executives just days before his death as evidence of the film being changed against his will.
The speaker discusses his experience experimenting with AI tools like Runway, marveling at the 'insane exponential curve of improvement' in filmmaking technology. He highlights how quickly AI is developing new capabilities, making complex animation and visual effects accessible in ways previously unimaginable.
The discussion highlights Dave Chappelle's legendary decision to walk away from a $50 million 'devil's deal' with Comedy Central, which sought to censor his work and change his artistic style. Chappelle's choice to quit and retreat to Africa for a decade, only to return and still be considered the best, is presented as a powerful example of an artist prioritizing integrity and vision over immense financial gain.
A deeply personal and harrowing account of a car accident where the speaker lost control, his wife was thrown from the vehicle, and he desperately begged for her life. This tragic event led to his incarceration for manslaughter, marking a profound turning point in his life.
Reflecting on his life-altering experiences, the speaker offers a powerful lesson in compassion: 'Be compassionate to other people because you might not know it but they might be going through [ __ ] in their lives.' He emphasizes the importance of empathy and understanding that everyone is suffering and struggling.