Click any moment to jump to that point in the video
Carrot Top and Joe Rogan discuss the strange and rigid rivalry between the Jay Leno and David Letterman shows, where being on one team meant you couldn't appear on the other. Joe expresses relief that such 'team' mentalities don't exist in podcasting.
Carrot Top reveals his unique creative process for prop comedy, explaining that ideas often spark from everyday observations, conversations, or seeing ordinary objects. He shares the origin story of his 'stud finder beer' prop and details how his classic paper cup telephone bit evolved to incorporate new technologies like call waiting, conference calling, and caller ID, demonstrating how he keeps his prop comedy fresh and relevant.
Joe Rogan and Carrot Top discuss why performing on cruise ships is considered one of the worst jobs in comedy, with Joe sharing his one negative experience. They acknowledge that niche cruises, like jazz cruises for a comic like Alonzo Bowden, can be a good fit for specific performers and audiences.
Carrot Top discusses the structured nature of his main show versus the improvisational approach he takes with smaller appearances. He shares how Tony convinced him to embrace his 'Carrot Top' prop comic persona for guest sets, recognizing that's what audiences want.
Carrot Top discusses his upcoming 20-year residency at the Luxor, potentially the longest in Vegas. Joe Rogan shares his appreciation for the Luxor's Egyptian theme and recalls a Fear Factor stunt where people slid down the pyramid. They touch on the changing fortunes of Vegas hotels.
The hosts share a captivating story about a "gigantic scammer" who infiltrated a group of wine connoisseurs, selling them elaborate counterfeit rare wines made by mixing different bottles and faking labels. The anecdote highlights how even seasoned experts can be deceived, questioning the true discernment of some in the exclusive world of fine wine.
Carrot Top shares humorous stories from his time at Gold's Gym in LA, where he was mistaken for a woman with big arms and later asked if his muscles were implants. Joe Rogan comments on how LA culture defaults to assuming everything is fake, from hairpieces to plastic surgery.
Carrot Top shares cringeworthy fan interactions, like being asked if he 'still works out' or being told he 'lifts light.' Joe Rogan empathizes, explaining that people often get weird and say stupid things when meeting famous people, a phenomenon they both relate to.
Carrot Top and Joe Rogan discuss the unique experience of living in Las Vegas, from its 'Devil's Ball' entertainment strip to its growing community with new sports teams like the Raiders and Golden Knights. They then delve into the broader cultural debate around problematic team names, from the Washington Commanders to the Notre Dame Fighting Irish, humorously pointing out the difficulty of finding a truly unoffensive mascot.
Carrot Top discusses his father's work as a NASA engineer who trained astronauts and lunar rover drivers, leading into a humorous take on moon landing conspiracy theories, including a joke about the flag still being on the moon but the rover being looted. Joe Rogan mentions blurry satellite photos that allegedly confirm the landing sites.
Joe Rogan and Carrot Top joke about their inability to keep top-secret information, with Joe admitting he has a 'big [ __ ] mouth' and would immediately spill the beans if told UFOs were real, even if it meant jail time.
Carrot Top explains why he can't have Ron White smoking weed backstage – his dressing room is shared with performers from the next show, 'Fantasy,' a girls dancing review. Joe Rogan and Carrot Top humorously describe the show as a 'fancy titty bar' for couples who want to see strippers without going to a strip club.
Joe Rogan describes an impressive AI music creation where 50 Cent's 'Many Men' was transformed into a soulful song reminiscent of the 1950s or 60s, highlighting the incredible and somewhat bizarre capabilities of AI to blend genres and voices.
The hosts explore the groundbreaking talent of Prince, describing him as an artist who emerged "out of nowhere" with a completely unique, androgynous appeal. They emphasize how different he was from any artist before him, highlighting his profound impact on music and culture.
The discussion traces the history of profanity in media, explaining how television's reliance on advertising led to strict fines for swearing. The rise of cable TV and VHS tapes, however, created a new frontier for uncensored content, allowing comedians like Sam Kinison and Eddie Murphy to break boundaries and deliver performances like "Delirious," marking a significant shift in what was acceptable in public consumption.
The hosts reflect on their generation's unique perspective, having grown up in a "cave people" era with minimal technology (no answering machines, walkie-talkies considered "crazy," CB radios as cutting-edge communication). They emphasize how this experience makes them perfectly suited to understand the immense societal changes brought by technological advancement.
The hosts reveal the surprising fact that legendary musician Billy Joel was once a Golden Gloves amateur boxer. They discuss how his life experiences are reflected in the radical evolution of his music, from the gritty narratives of early songs like "Captain Jack" to the more upbeat and commercially successful "Uptown Girl," illustrating how personal circumstances shape an artist's output.
The hosts delve into Billy Joel's "Scenes from an Italian Restaurant," with Carrot Top making a humorous observation about the lyric "bottle of red, bottles of white," implying Joel preferred white wine. This sparks a funny discussion about the nuances of wine, the preferences for blends versus single varietals, and the sometimes-peculiar habits of wine connoisseurs.
Carrot Top describes a funny prop that simulates a loud alarm for Viagra/Cialis, humorously stating his desire for his neighbors to know he's 'getting laid' with a 'hard dick.'
The hosts marvel at the enduring genius and consistent quality of "South Park," questioning how the creators continue to push boundaries and remain relevant for decades. They reminisce about the show's humble beginnings, recalling the viral "Spirit of Christmas" VHS tape that circulated before the series ever aired on Comedy Central, highlighting its groundbreaking impact from the start.
Joe Rogan and Carrot Top discuss how South Park's intentionally unrealistic animation style serves as a 'cheat code,' allowing them to get away with more extreme and controversial content that wouldn't be possible in realistic or live-action formats. They cite examples like Paris Hilton, killing Kenny, and the Muhammad controversy, explaining that the lack of realism removes the audience's guilt and makes everything funnier.
Joe Rogan and Carrot Top discuss the societal tendency to judge weight loss, often attributing it to Ozempic rather than discipline, and how this stems from people's own insecurities. Rogan then provides a detailed explanation of how Ozempic (GLP1) works, its effects on appetite and the brain's reward system, and emphasizes the importance of responsible use—suggesting it as a 'kickstart' to a healthy lifestyle rather than a long-term solution, especially for those truly struggling with obesity.
Joe Rogan passionately explains that while becoming healthy requires hard work, the feeling of satisfaction from achieving it is immense, with zero downsides to a healthy lifestyle.
Carrot Top recounts a hilarious incident where Ron White confidently lit up a joint in a posh Vegas bar, believing no one would dare kick him and Carrot Top out. Within seconds, security arrived, proving Ron's bravado wrong, much to Carrot Top's amusement and slight embarrassment.
The hosts discuss the profound impact of the movie "Sideways" on Merlot wine sales, noting how it gave the varietal a bad name. Carrot Top shares a hilarious personal story of meeting actor Paul Giamatti (who famously declared "I am not drinking any f***ing Merlot!") and jokingly offering him a glass, capturing Giamatti's perfect, in-character reaction.
Joe Rogan delves into the dark history of Las Vegas, suggesting its mob-founded gambling industry might have been permitted in exchange for allowing the government to conduct nuclear tests in the Nevada desert. He links these tests to the high rates of cancer among the cast and crew of a John Wayne movie filmed nearby.
Joe Rogan and Carrot Top discuss the disturbing origins of the bodies used in the 'Bodies: The Exhibition' in Vegas. Joe explains that many are believed to be Chinese political prisoners, and highlights the timeline discrepancy between bodies needing to be unidentified for 30 days and the plastination process requiring completion within 48 hours of death, implying foul play.
Carrot Top recounts a pivotal night where he killed his set for Tonight Show bookers, only to be told by Jim McCauley that Johnny Carson would never book him because he 'hates variety' – a bizarre reason given the nature of the Tonight Show. He eventually got on with Jay Leno shortly after Carson's departure.
Joe Rogan speculates that if genetic engineering makes everyone universally attractive and 'nice,' it could lead to a complete cessation of invention and music, using Prince's perceived physical shortcomings as a powerful driver for his creative genius.
The host shares a surprising anecdote about Prince's no-swearing policy after becoming a Jehovah's Witness, even implementing a "cash swear jar." This leads to a broader discussion about the perceived offensiveness of certain words and the host's argument that manipulating language to reduce nuance is detrimental to communication and expression.
Carrot Top and Joe Rogan discuss how the Kill Tony podcast has become a legitimate pathway for aspiring comedians, enabling them to change their lives by putting together a solid minute of material. They highlight the consistent hard work required and the rapid growth in social media following and career opportunities that can result from appearing on the show, citing examples like Cam Patterson and William Montgomery.
Joe Rogan draws a powerful analogy between learning jiu-jitsu and stand-up comedy, emphasizing the importance of embracing failure and not letting ego hinder the learning process. He explains that in both disciplines, one must be willing to 'tap' or 'bomb' to truly understand weaknesses, learn from mistakes, and ultimately grow. This willingness to fail openly is crucial for finding new material and improving performance.
The hosts celebrate Burt Reynolds' legendary "cool guy" status in "Smokey and the Bandit," recalling the film's groundbreaking fourth-wall break and the unforgettable performance of Jackie Gleason as Sheriff Buford T. Justice. It's a nostalgic and humorous tribute to a classic film and its charismatic star.
Inspired by Jay Leno's habit of living off only his stand-up money, the hosts discuss the potential pitfalls of giving children large sums of inherited wealth or trust funds. They argue that it can stifle ambition and hinder personal growth, often leading to individuals who are "weird" and lack the self-sustainability crucial for navigating society.
The hosts discuss the incredible and somewhat unsettling capabilities of AI in generating music and cloning voices, referencing a "gangster rap" song with an amazing AI voice and the Randy Travis AI song. They also talk about how AI can recreate voices for podcasts, raising questions about authenticity and the future of creative content.
Joe Rogan and Carrot Top discuss the phenomenon of comedians hating on other successful comedians, particularly prop comics, and the absurdity of this jealousy in the grand scheme of world problems. Carrot Top explains how his quick success and TV-friendly act led to resentment.
The discussion delves into the ethical differences between using AI to recreate a legendary artist's voice (like Randy Travis, who can no longer sing but has a vast archive) and entirely fabricated AI voices. The host shares a personal anecdote of an AI-generated podcast with Steve Jobs and a disturbing fake ransom call created using his own cloned voice, highlighting the potential for misuse.
Carrot Top and Joe Rogan discuss the different lifestyles of touring comedians versus those with residencies. Carrot Top enjoys the 'rock star' feel of touring, while Joe emphasizes the significant advantages of staying home, like avoiding travel fatigue and having a normal daily routine, which he has embraced since opening his club.
The hosts recount the fascinating story behind Billy Joel's song "The Entertainer," which he wrote as a satirical jab at his record label for demanding a commercial hit. Ironically, the label dropped him for the song, a decision they surely regretted as Joel went on to become a global superstar, highlighting a classic tale of artistic integrity clashing with corporate demands.
The hosts discuss Jay Leno's unparalleled work ethic, his deep passion for cars, and his incredible resilience, recounting how he performed a show bleeding after a recent accident where he fell off a cliff. Carrot Top also shares a hilarious story about one of Leno's wild early gigs involving a mobster screaming obscenities at a priest, showcasing his commitment to comedy even before his Tonight Show fame.
Carrot Top recounts his father's unwavering dedication to Kenny Rogers, dragging him to three consecutive concerts. Years later, he hilariously describes an awkward elevator encounter with Kenny Rogers where he brought up the concerts, only to run out of conversation and awkwardly compliment the singer's chicken restaurant.
Joe Rogan shares a profound personal story about seeing Richard Pryor live as a teenager, describing it as the most incredibly funny and groundbreaking experience of his life. He recounts the audience's visceral reactions, physically convulsing with laughter, and how Pryor's ability to captivate an audience with just his words forever changed Rogan's perception of what stand-up comedy could achieve. The discussion also touches on Eddie Murphy's legendary response to Bill Cosby's criticism of swearing in comedy.
The hosts reminisce about the era before the internet, sparked by the Kenny Rogers song "The Gambler." They humorously describe people in 1980 as "wild animals who lived in houses," largely uninformed, unaware of others beyond their neighborhood, and relying on movies and TV for behavioral cues. It's a fascinating and funny look at how society has transformed.
Carrot Top shares a hilarious and awkward story of meeting Prince backstage at the Tonight Show, where the eccentric artist unexpectedly demanded tea, only for his assistant to later reveal Prince doesn't even drink tea.
Carrot Top shares a hilarious story about Ron White's guest appearance at his Vegas show, where Ron provided a voiceover for a bit, then proceeded to smoke so much weed backstage that the smell permeated the entire theater, surprising staff and leaving his wallet and stash behind.
Joe Rogan reveals that Ron White was the primary reason he moved to Austin and, more significantly, the catalyst for opening the Comedy Mothership. He recounts how Ron's enthusiasm for Austin and a powerful return-to-stage performance during the pandemic inspired Joe to pursue his dream of opening a comedy club.
The hosts recount and analyze a wild incident where Burt Reynolds unexpectedly punched game show host Mark Summers during an appearance on The Tonight Show. They marvel at the force of Reynolds' hit, attributing it to his football background, and discuss the sheer chaos and humor of the unplanned moment.
Carrot Top recounts the absurd reason he was banned for life from Fox: he inadvertently mentioned 'Taco Bell' as part of a prop joke during the Billboard Music Awards, unaware it was a sponsor, highlighting the ridiculousness of corporate censorship.
Joe Rogan discusses the disturbing phenomenon of 'paid protesters' who are compensated to attend demonstrations, often funded by NGOs with taxpayer money. He describes it as a form of fraud, as it creates a false impression of genuine public outrage, and shares a story about a woman who makes a living as a professional protester.
Carrot Top shares a wild story about his Air Force F-16 pilot brother flying the 'red stripe planes' out of a secret base near Area 51, which were supposedly unknown to the world, yet visible from Carrot Top's Luxor hotel room. Joe Rogan connects this to Bob Lazar's alleged flights to Area S4 for UFO reverse engineering.