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A seminal article by Hunter S. Thompson, first published in Scanlan's Monthly in 1970, often considered the birth of Gonzo journalism. The essay chronicles Thompson's chaotic and drug-fueled experience covering the Kentucky Derby, blending subjective reporting with fictional elements to create a new style of immersive journalism. This piece is notable for its raw, unfiltered style and its collaboration with illustrator Ralph Steadman, whose distinctive artwork became synonymous with Thompson's writing.
the thing he did for um the the Kentucky Derby is De that was like the first thing wasn't it I think that was how they got together find that the Kentucky Derby is decadent and depraved
""The speaker explicitly asks to "find that the Kentucky Derby is decadent and depraved" in relation to Hunter S. Thompson's work and Ralph Steadman's illustrations, identifying a specific literary work."